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Edvard Munch



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About the original:

"Don't become an artist!"

Edvard wanted to become an artist early on, and there was no doubt that he had talent. But his father refused to allow him to follow his dream, and Edvard therefore began studying to become an engineer. But after just one year, he chose to defy his father, and changed the engineering school to the Royal School of Design in Kristiania.

Talented and provocative bohemian

It was obvious to everyone in the Norwegian art community that the young man was a rare talent. In 1883, aged 20, he made his debut at the Autumn Exhibition. In 1886, Munch became acquainted with the writer and anarchist Hans Jæger, the leader of Kristiania-bohemen. The bohemian milieu convinced Munch that art had to renew itself in order to reach people, and to mean something in their lives. In the same year, he exhibited the painting The Sick Child. It created debate!

Courage led to breakthroughs

Some stated that The Sick Child was brilliant, while others thought it was unfinished and that it had no place in an exhibition. Today this is considered Munch's breakthrough. Here he showed independence and a willingness to take new paths.

With one key word, we can say that his artistry from here until his last brush stroke is characterized by experimentation. Munch did not care about established "rules" for so-called good art. His techniques in both painting and graphics were innovative.

From people's emotional life, to agriculture and landscapes

Henrik Ibsen's dramas about man's existential challenges inspired Munch. Themes such as death, love, sexuality, jealousy and anxiety were central to his early pictures. Some themes sprung from personal experiences. For example, Death in a hospital room and The sick child can be linked to his recollection of his mother's and sister's illness and early death.

After 1910, Munch chose a quieter and more withdrawn life. With his own farm both at Ekely and in Hvitsten, he found completely new motifs, such as agriculture, working life and landscape. The man in the cabbage field is a typical example from this time.

Date: Plate executed 1895; printed 1895

Other titles: Das Geschrei (TYS)

The Scream (ENG)

Designation: Graphics

Material and technique: Lithography

Technique: Lithography Litotouch Litostift

Material: Paper

Dimensions: 355 x 254 mm

Subject: Visual arts

Classification: 532 - Visual arts

Acquisition: Presumably purchased 1902

Inventory no.: NG.K&H.A.18995

Part of exhibition: Expressiv!, 2003

Edvard Munch. Dal realismo all'espressionismo, 1999 - 2000

Munch 150, 2013

Painting in Norway 1945–2000, 2001

Munch 1863-1944, 2005

Registration level: Single object

Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections

Photo: Ivarsøy, Dag Andre

Copyright: © A. Liebmann Buch u. Steindruckerei

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