Skogbekk, Jura
Skogbekk, Jura
High-quality reproductions from the National Museum's collection. Posters by DAIDDA are printed on Litho White Matt - 230 gram photo paper in premium quality. Artprints by DAIDDA are printed on Moab Entrada Natural 300 gram cotton art paper in premium quality. Produced by DAIDDA.
About the original:
Date: (1872)
Other titles: Le ruisseau de la consolation (FRA)
A Brook in the Forest, Jura (ENG)
Designation: Painting
Material and technique: Oil on canvas
Technique: Oil
Material: Canvas
Dimensions: 59.9 x 74 cm
Subject: Visual arts
Classification: 532 - Visual arts
Type of motif: Landscape
Acquisition: Gift from the Friends of the National Gallery 1940
Inventory no.: NG.M.03059
Part of exhibition: French painting from David to Courbet, 1928
Gustave Courbet, Honoré Daumier, Constantin Guys, 1923
Gustave Courbet, Honoré Daumier, Constantin Guys, 1923
Edvard Munch. The sick child. The Story of a Masterpiece, 2009
Gustave Courbet, Honoré Daumier, Constantin Guys, 1923
Registration level: Single object
Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections
Photo: Høstland, Børre
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Skogbekk, Jura
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On the edge of the cliff
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Gustave Courbet
Gustave Courbet was a French painter and sculptor, and is considered the founder of realism as an artistic movement. He is particularly known for works such as Stonecutters (1849), A funeral in Ornans (1850), Good day, Herr Courbet (1854) and The Origin of the World (1866).
One of the most important moves Courbet made to break with conventional art was to paint everyday subjects in canvas sizes that were traditionally reserved for religious, mythological or historical subjects, the so-called "heroic size". Ordinary men and women were now elevated to "heroes of modern life". This was seen as vulgar and inappropriate, and provoked strong reactions from the bourgeois public and the conservative press. But some critics were also enthusiastic about Courbet's art. In 1851, the art critic François Sabatier compared Courbet's entry into the contemporary French art world to "a cannonball bursting through a wall".
One finds clear traces of political and social involvement already in artists such as Théodore Géricault, Honoré Daumier and Eugène Delacroix, but it was Courbet who first defined the artistic principles of realism in his exhibition "Pavillon du Réalisme" in 1855. The artist's ambition was now no longer to be simple imitation or idealisation, but to provide a credible and neutral observation of the contemporary world.