On the edge of the cliff
On the edge of the cliff
High-quality reproductions from the National Museum's collection. Posters by DAIDDA are printed on Litho White Matt - 230 gram photo paper in premium quality. Artprints by DAIDDA are printed on Moab Entrada Natural 300 gram cotton art paper in premium quality. Produced by DAIDDA.
About the original:
Dating: Approx. 1844
Other titles: Le Fou de peur (FRA)
The Man Mad with Fear (ENG)
Der vor Angst Wahnsinnige (TYS)
Der Verzweifelte (TYS)
Designation: Painting
Material and technique: Oil on canvas glued to wood fiberboard
Technique: Oil
Material: Wood, Canvas
Dimensions: 60.5 x 50 cm
Subject: Visual arts
Classification: 532 - Visual arts
Type of motif: Portrait, Self-portrait
Acquisition: Testamentary gift from Peter Hersleb Matthiessen and Ingeborg Topsøe Matthiessen, received 1947
Inventory no.: NG.M.02169
Part of exhibition: Art 3. Works from the collection 1814-1950, 2007 - 2011
The dance of life. The collection from antiquity to 1950, 2011 - 2019
Under the magnifying glass: Gustave Courbet, 2016 - 2017
Registration level: Single object
Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections
Photo: Jarre, Anne Hansteen
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Skogbekk, Jura
Vendor:Regular price From 150,00 NOKRegular priceUnit price per -
On the edge of the cliff
Vendor:Regular price From 150,00 NOKRegular priceUnit price per
Gustave Courbet
Gustave Courbet was a French painter and sculptor, and is considered the founder of realism as an artistic movement. He is particularly known for works such as Stonecutters (1849), A funeral in Ornans (1850), Good day, Herr Courbet (1854) and The Origin of the World (1866).
One of the most important moves Courbet made to break with conventional art was to paint everyday subjects in canvas sizes that were traditionally reserved for religious, mythological or historical subjects, the so-called "heroic size". Ordinary men and women were now elevated to "heroes of modern life". This was seen as vulgar and inappropriate, and provoked strong reactions from the bourgeois public and the conservative press. But some critics were also enthusiastic about Courbet's art. In 1851, the art critic François Sabatier compared Courbet's entry into the contemporary French art world to "a cannonball bursting through a wall".
One finds clear traces of political and social involvement already in artists such as Théodore Géricault, Honoré Daumier and Eugène Delacroix, but it was Courbet who first defined the artistic principles of realism in his exhibition "Pavillon du Réalisme" in 1855. The artist's ambition was now no longer to be simple imitation or idealisation, but to provide a credible and neutral observation of the contemporary world.