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Eilif Peterssen

Nocturne

Nocturne

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About the original:

Date: 1887

Other titles: Nocturne (ENG)

Designation: Painting

Material and technique: Oil on canvas

Technique: Oil

Material: Canvas

Dimensions: 81.5 x 81.5 cm

Subject: Visual arts

Classification: 532 - Visual arts

Type of motif: Still life, Landscape

Acquisition: Gift from Olaf Schou 1909

Inventory no.: NG.M.00848

Part of exhibition: The dance of life. The collection from antiquity to 1950, 2011 - 2019

Art audience. The National Museum in the Kunststallen, 2021

Nordic Art. The Modern Breakthrough 1860-1920, 2012 - 2013

Landschaft als Kosmos der Soule. Malerei des nordischen Symbolismus bis Munch, 1998

Nordic moods. Nordic painting at the turn of the century, 1987

Registration level: Single object

Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections

Photo: Børre Høstland

High-quality reproductions from the National Museum's collection. Posters by DAIDDA are printed on Litho White Matt - 230 gram photo paper in premium quality. Artprints by DAIDDA provide outstanding colors, sharpness and durability in museum quality - printed on Moab Entrada Natural 300 gram cotton art paper. Printed on a matte surface with scratch-resistant pigment ink.

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Eilif Petersen

Eilif Peterssen was a Norwegian painter who had a central position in Norwegian contemporary art. He was the first of his generation to be represented in the National Gallery. Peterssen was a pupil of Johan F. Eckersberg in 1869–1870 and studied at the Academy of Fine Arts in Copenhagen in 1871, Karlsruhe in 1871–1873 and Munich under Wilhelm Diez in 1873–1875.

Peterssen received strong impressions of older art during his studies in Munich and Venice in 1875. He is known for his historical compositions such as "Death of Corfitz Ulfeldt" (1873–1874), "Christian 2 signs Torben Oxe's death warrant" (1875–1876) and "Judas Ischariot" (1878), as well as several excellent portraits of famous people such as Hans Heyerdahl, Henrik Ibsen, Johan Svendsen, and Harriet Backer. In 1878 he left Munich and stayed in Italy in the period 1879–1883, where he quickly developed into a plein air painter. He painted works such as "Siesta in an osteria in Sora" (1880) and "Piazza Montanara" (1883). Peterssen also painted his most significant altarpiece, "The Adoration of the Shepherds", which hangs in Jakob Church in Oslo (1881).

Later in his career, Peterssen cultivated the Nordic atmospheric landscape and painted, among other things, "Sommernatt" (1886) and "Nocturne" (1887) while he was at Fleskum in Bærum together with Norwegian painters. He also painted several portraits, including "Kalle Løchen" (1885), "Alexander Kielland" (1887), "Mor Utne" (1888), "Edvard Grieg" (1891) and "Arne Garborg" (1894). Peterssen was caught up in the atmospheric and style-seeking tendencies of neo-romanticism, but after 1890 his art showed a clear decline in quality. His last major works were the decorative series "Gujamar's song" (1904–1907) and "Himmelfarten" in Ullern church's apse (1908–1909). Peterssen also designed the Norwegian coat of arms in 1905.