By the window
By the window
About the original:
Date: 1881
Other titles: At the Window (ENG)
Designation: Painting
Material and technique: Oil on wooden panel
Technique: Oil
Material: Wooden board
Dimensions: 46 x 37 cm
Subject: Visual arts
Classification: 532 - Visual arts
Subject type: Portrait
City prospectus Subject - person:
Heyerdahl, Maren Christine (pictured person)
Inventory no.: NG.M.01937
Photo: Høstland, Børre/Lathion, Jacques
High-quality reproductions from the National Museum's collection. Posters by DAIDDA are printed on Litho White Matt - 230 gram photo paper in premium quality. Artprints by DAIDDA are printed on Moab Entrada Natural 300 gram cotton art paper in premium quality. Produced by DAIDDA.
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Adam and Eve are driven out of Paradise
Vendor:Regular price From 150,00 NOKRegular priceUnit price per -
By the window
Vendor:Regular price From 150,00 NOKRegular priceUnit price per
Hans Heyerdahl
Hans Heyerdahl was a Norwegian naturalist painter. He was born in Dalarna in Sweden, was the son of Halvor Heyerdahl (1825–1900) and grew up in Drammen. After a couple of years at Bergslien's painting school, he went to Munich in 1874, where he attracted attention with the superbly executed composition Adam and Eve driven out of Paradise (1877).
In 1878–1882 he was in Paris as a pupil of Léon Bonnat, but also studied the old masters, especially Rubens, a study he continued in Florence 1882–1884, where Arnold Böcklin's myth-writing art also became decisive for him. In the Paris period, he painted, in addition to the large realistic composition The Dying Child, which was bought by the French state, a number of picturesquely rich figure studies, scenes and portraits, Laura Gundersen (1879), Ved vindentet, (1881), The Champagne Girl (circa 1880 ). In 1885 he returned home. In Åsgårdstrand he painted bright summer pictures such as Sisters and Bathing Boys (both 1887), and at the studio in Oslo masterpieces such as Arbeiderens død (1888) and the dazzlingly skillfully painted nude study Svart-Anna (1887). Even later, Heyerdahl could reach high, particularly as a portrait of women, but his impressionable talent not infrequently went astray during the neo-romantic and symbolist currents of the 1890s. In later years, he stayed mostly in Paris and depicted Montmartre in a number of pictures. Heyerdahl is richly represented in Drammen's Museum of Art and Cultural History, the National Museum/National Gallery in Oslo owns 41 pictures of him.