Skogtjern in lower Telemark
Skogtjern in lower Telemark
High-quality reproductions from the National Museum's collection. Posters by DAIDDA are printed on Litho White Matt - 230 gram photo paper in premium quality. Artprints by DAIDDA provide outstanding colors, sharpness and durability in museum quality - printed on Moab Entrada Natural 300 gram cotton art paper. Printed on a matte surface with scratch-resistant pigment ink.
About the original: Date: 1852
Other titles: Tarn in Telemark (ENG)
Designation: Painting
Material and technique: Oil on canvas
Technique: Oil
Material: Canvas
Dimensions: H 108 cm x W 155.5 cm
Subject: Visual arts
Classification: 532 - Visual arts
Motif: Landscape
Acquisition: Gift from Diderik Cappelen 1852
Inventory no.: NG.M.00199
Part of exhibition: Art 3. Works from the collection 1814-1950, 2007 - 2011
Art and non-art in the National Gallery. The clean-up April 1942, 1942
Registration level: Single object
Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections
Photo: Høstland, Børre
See all works
-
Høyfjell, winter
Vendor:Regular price From 150,00 NOKRegular priceUnit price per -
Forest water with fog
Vendor:Regular price From 150,00 NOKRegular priceUnit price per -
Waterfall in lower Telemark
Vendor:Regular price From 150,00 NOKRegular priceUnit price per -
Skogtjern in lower Telemark
Vendor:Regular price From 150,00 NOKRegular priceUnit price per
August Cappelen
August Cappelen was a Norwegian painter born in Skien in 1827 and died in Düsseldorf in 1852. He showed an early talent for art, and his mother, who was a skilled draftsman, guided him in his early years. In 1846, Cappelen went with Hans Gude and JF Eckersberg on a study trip to Gudbrandsdalen, which was of great importance to the young painters.
In the autumn of the same year, Cappelen went to Düsseldorf and became a student at the art academy there. He remained there until 1850, with the exception of the winter of 1848-49 when he stayed in Christiania. In the summer of 1847 he visited Sogn and Hardanger and met a group of German Schirmer students. Cappelen is considered one of the earliest mature and personal Norwegian painters of his time. He belonged to the Düsseldorf School in its Norwegian branch, and JW Schirmer was decisive for his development as a painter and landscape artist.
Cappelen had a harmonious life without financial worries or social obstacles to his artistic career. He was musical and loved flowers and lush vegetation, and his many letters provide insight into his character and artistic development.