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August Cappelen

Skogtjern in lower Telemark

Skogtjern in lower Telemark

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High-quality reproductions from the National Museum's collection. Posters by DAIDDA are printed on Litho White Matt - 230 gram photo paper in premium quality. Artprints by DAIDDA provide outstanding colors, sharpness and durability in museum quality - printed on Moab Entrada Natural 300 gram cotton art paper. Printed on a matte surface with scratch-resistant pigment ink.

About the original: Date: 1852

Other titles: Tarn in Telemark (ENG)

Designation: Painting

Material and technique: Oil on canvas

Technique: Oil

Material: Canvas

Dimensions: H 108 cm x W 155.5 cm

Subject: Visual arts

Classification: 532 - Visual arts

Motif: Landscape

Acquisition: Gift from Diderik Cappelen 1852

Inventory no.: NG.M.00199

Part of exhibition: Art 3. Works from the collection 1814-1950, 2007 - 2011

Art and non-art in the National Gallery. The clean-up April 1942, 1942

Registration level: Single object

Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections

Photo: Høstland, Børre

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August Cappelen

August Cappelen was a Norwegian painter born in Skien in 1827 and died in Düsseldorf in 1852. He showed an early talent for art, and his mother, who was a skilled draftsman, guided him in his early years. In 1846, Cappelen went with Hans Gude and JF Eckersberg on a study trip to Gudbrandsdalen, which was of great importance to the young painters.

In the autumn of the same year, Cappelen went to Düsseldorf and became a student at the art academy there. He remained there until 1850, with the exception of the winter of 1848-49 when he stayed in Christiania. In the summer of 1847 he visited Sogn and Hardanger and met a group of German Schirmer students. Cappelen is considered one of the earliest mature and personal Norwegian painters of his time. He belonged to the Düsseldorf School in its Norwegian branch, and JW Schirmer was decisive for his development as a painter and landscape artist.

Cappelen had a harmonious life without financial worries or social obstacles to his artistic career. He was musical and loved flowers and lush vegetation, and his many letters provide insight into his character and artistic development.