Night glow
Night glow
High-quality reproductions from the National Museum's collection. Posters by DAIDDA are printed on Litho White Matt - 230 gram photo paper in premium quality. Artprints by DAIDDA are printed on Moab Entrada Natural 300 gram cotton art paper in premium quality. Produced by DAIDDA.
About the original:
Date: 1893
Other titles: Evening Glow (ENG)
Designation: Painting
Material and technique: oil on canvas
Technique: Oil
Material: Canvas
Dimensions: H 80 cm x W 62.5 cm x D 2.5 cm
Subject: Visual arts
Classification: 532 - Visual arts
Type of motif: Landscape
Acquisition: Purchased 1894
Inventory no.: NG.M.00441
Part of exhibition: The dance of life. The collection from antiquity to 1950, 2011 - 2019
Nature's mirror. Nordic landscape painting 1840-1910, 2007
Im Lichte des Nordens. Scandinavian Painting at the Turn of the Century, 1986 - 1987
Dreams of a summer night. Scandinavian painting at the turn of the century, 1986
Norwegian summer landscapes for 100 years, 1980
The magical north. Finnish and Norwegian art around 1900, 2015
Edvard Munch and Harald Sohlberg. Landscapes of the Mind, 1995 - 1996
Landschaft als Kosmos der Soule. Malerei des nordischen Symbolismus bis Munch, 1998
Nature's mirror. Nordic landscape painting 1840-1910, 2006
Nature's mirror. Nordic landscape painting 1840-1910, 2006 - 2007
A Mirror of Nature. Nordic Landscape Painting 1840-1910, 2007
Nordic moods. Nordic painting at the turn of the century, 1987
Registration level: Single object
Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections
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Harald Sohlberg
Harald Sohlberg was a Norwegian painter who was central to the breakthrough of neo-romanticism in Norway. He was born in Oslo and had a very distinctive style where he placed great emphasis on drawing and details, while at the same time the pictures were not pure imitations of nature. Sohlberg sought to express his experiences of nature and adapted drawing and colors so that the pictures could convey these experiences. The symmetrical composition he used in many of the pictures helps to bring in a supernatural, almost religious atmosphere.
Education
Sohlberg began his artistic education at the Royal School of Arts and Crafts in 1885, where he was a student up to and including the autumn of 1890. He also had a stay in Slagen by Åsgårdsstrand in 1890, where he was a student of Sven Jørgensen. He then studied under Kristian Zahrtmann in Copenhagen in 1891–1892 and drew for four months at Eilif Peterssen's and Harriet Backer's painting school in 1894.
Known for mood pictures
Sohlberg traveled to Valdres to paint in the summer of 1889, and there he painted a study called Summer evening, a picture with broad brushstrokes and violet tones that emphasize the evening atmosphere. The picture links to the summer night pictures that Kitty Kielland and Eilif Peterssen had painted by Dælivannet in 1886, and shows the interest in conveying the mood of nature which was to become Sohlberg's main interest in the following years.
In 1894, Sohlberg made his debut at the Statens Kunstutstilling (Autumn Exhibition) with the picture Nattegloð (1893), which was to be his artistic breakthrough and was purchased for the National Gallery. The picture has many of the distinctive features and qualities that were to become a hallmark of Sohlberg's art. In 1899, Sohlberg painted Sommernatt, a picture from Nordstrand with a view over the Oslofjord. Sohlberg has sought here to capture the special atmosphere of the Norwegian summer night, and he stylizes the landscape in clean surfaces and clear lines.
Sohlberg is particularly known for atmospheric images such as Summer Night, the cemetery image Night, Flower meadow north, and not least Winter Night in Rondane. He had a significant influence on Norwegian art in the first half of the 20th century, and his style and motifs have inspired many later Norwegian artists.