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Edvard Munch

The painter Aase Nørregaard

The painter Aase Nørregaard

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About the original:

Date: (1899)

Other titles: Aase Nørregaard (ENG)

Designation: Painting

Material and technique: Oil on canvas

Technique: Oil

Material: Canvas

Dimensions: 131 x 109 cm

Subject: Visual arts

Classification: 532 - Visual arts

Subject type: Portrait

Subject - person: Nørregaard, Aase (pictured person)

Acquisition: Gift from Harald Nørregaard 1935

Inventory no.: NG.M.01793

Part of exhibition: Edvard Munch: Psyche, Symbol and Expression, 2001

The Norwegian Exhibition, 1906

Edvard Munch in Zürcher Kunsthaus, 1922

Ausstellung Edvard Munch, 1922

Edvard Munch, 1913

Edvard Munch, 1927

Edvard Munch, 1927

The Jawlensky Horizon. Alexej von Jawlensky in the Reflection of his Encounters from 1900 to 1914, 2014

The Jawlensky Horizon. Alexej von Jawlensky in the Reflection of his Encounters from 1900 to 1914, 2014

Edvard Munch. The Frieze of Life, 2004 - 2005

Edvard Munch, 1968

The Norwegian Art Exhibition, 1915

Ausstellung Edvard Munch, 1922

Registration level: Single object

Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections

Photo: Børre Høstland

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Edvard Munch

Edvard Munch worked as an artist for over sixty years. He was creative, ambitious and hardworking. He made close to two thousand paintings, hundreds of graphic motifs and thousands of drawings. In addition, he wrote poems, prose and diaries. Scream, Madonna, Death in the sick room and the other symbolist images from the 1890s have made him one of the most famous artists of our time.

"Don't become an artist!" Edvard wanted to become an artist early on, and there was no doubt that he had talent. But his father refused to allow him to follow his dream, and Edvard therefore began studying to become an engineer. But after just one year, he chose to defy his father, and changed the engineering school to the Royal School of Design in Kristiania. Talented and provocative bohemian It was obvious to everyone in the Norwegian art community that the young man was a rare talent. In 1883, aged 20, he made his debut at the Autumn Exhibition. In 1886, Munch became acquainted with the writer and anarchist Hans Jæger, the leader of Kristiania-bohemen. The bohemian milieu convinced Munch that art had to renew itself in order to reach people, and to mean something in their lives. In the same year, he exhibited the painting The Sick Child. It created debate! Courage led to a breakthrough. Some said that The Sick Child was brilliant, while others thought it was unfinished and that it had nothing to do at an exhibition. Today this is considered Munch's breakthrough. Here he showed independence and a willingness to take new paths.

With one key word, we can say that his artistry from here until his last brush stroke is characterized by experimentation. Munch did not care about established "rules" for so-called good art. His techniques in both painting and graphics were innovative. From man's emotional life, to agriculture and landscape Henrik Ibsen's dramas about man's existential challenges inspired Munch. Themes such as death, love, sexuality, jealousy and anxiety were central to his early pictures. Some themes sprung from personal experiences. For example, Death in a hospital room and The sick child can be linked to his recollection of his mother's and sister's illness and early death. After 1910, Munch chose a quieter and more withdrawn life. With his own farm both at Ekely and in Hvitsten, he found completely new motifs, such as agriculture, working life and landscape. The man in the cabbage field is a typical example from this time.