Frits Thaulow
Street in Kragerø
Street in Kragerø
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High-quality reproductions from the National Museum's collection. Posters by DAIDDA are printed on Litho White Matt - 230 gram photo paper in premium quality. Artprints by DAIDDA are printed on Moab Entrada Natural 190 gram cotton art paper in premium quality. Produced by DAIDDA.
About the original:
Date: 1882
Other titles: Street in Kragerø (ENG)
Designation: Painting
Material and technique: Oil on canvas
Technique: Oil
Material: Canvas
Dimensions: H 58 cm x W 79 cm
Subject: Visual arts
Classification: 532 - Visual arts
Acquisition: Purchased 1882
Inventory no.: NG.M.00299
Part of exhibition: Art 3. Works from the collection 1814-1950, 2007 - 2011
Art and non-art in the National Gallery. The clean-up April 1942, 1942
Winterland, 1993
Winterland, 1993 - 1994
Registration level: Single object
Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections
Photo: Børre Høstland
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Frits Thaulow
Frits Thaulow was a Norwegian landscape painter and a leading figure in naturalistic painting in the 1880s. He became a renowned painter in Europe from 1889 and settled in France in 1892. Thaulow's sensitivity to color and poetry made his naturalism meaningful to colleagues, critics and audiences for two generations. Thaulow was born in Christiania and grew up in a liberal home with a wealthy apothecary father. He had a talent for friendship and a capacity for initiative.
He fulfilled his father's wish to study pharmacy before breaking through as a painter around 1880. Thaulow was tutored by CF Sørensen, the foremost Danish master of marine painting, and Hans F. Gude, the most important Norwegian marine painter, before spending three winters in Paris and familiarized himself with recent trends in French art. He became enthusiastic about Jules Bastien-Lepage, who was admired at the time as the leader of the young "realists". In the early 1880s, Thaulow's art was linked to the city itself and its surroundings, but with detours to Kragerø, Paris, Copenhagen, Scotland and Venice until 1885.
From 1885, winter entered his pictures. Thaulow's efforts in the 1880s were of fundamental importance for the entire Norwegian "naturalist" school of painting. He gave it a refined touch of intimacy and color beauty that inspired, and he had an open eye for talent around him. Thaulow did not want to advocate art doctrines and never claimed that "everything can be painted, as long as it is well painted" or the like. He never became an impressionist, although he experimented with the direction during a stay in Paris in 1882-1883. Thaulow moved to France in 1892, but was often at home on painting stays. He died in 1906.