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Thomas Fearnley

From Grindelwald, Switzerland

From Grindelwald, Switzerland

150,00 NOK
150,00 NOK
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About the original: Among Thomas Fearnley's paintings with Swiss motifs, the Grindelwald glacier is the most significant. From a grassy hill in the foreground, we look up at the valley floor which is filled by a glacier. Nature observations made on the spot are edited into a magnificent composition. The pencil sketch drawn in August 1835, which is a starting point for the painting, shows a barren landscape in front of the glacier. The large trees, which make up such an important part of the picture as a whole, are based on tree studies done in Scheideck a week later.

In the painting, the artist has made the motif more dramatic than in the paper drawing. The mountain sides are steeper and are highlighted using light and shadow, while the clouds envelop some of the peaks in the background. The contrast to eternal ice and snow in the desolate valley stretch is enhanced by the lush foreground vegetation where the sheep graze under the supervision of the shepherd. The artist emphasizes the wild and inaccessible in nature by letting a bird of prey soar over the glacier. He allows himself a little joke by painting a fern tassel (English: Fearn) next to his signature.

It has been pointed out that the composition and the balanced direction of the landscape masses are reminiscent of the Düsseldorf painter Johann Wilhelm Schirmer (1807–1863), whom Fearnley met during his stay in Switzerland. The marked contrast between warm and cold colors was also perceived in romanticism as a symbol of the confrontation between life and death.

Before the painting was completed, it was exhibited at the Salon in Paris in 1836. Together with two paintings by JC Dahl, this and Fearnley's Labrofossen were the first paintings by Norwegian artists to be purchased by the National Gallery.

Date: 1835

Other titles: View from Grindelwald in Switzerland (ENG)

Designation:

Painting

Material and technique: Oil on cardboard glued on cardboard

Technique:

Oil

Material:

Cardboard sheet

Paper

Goal:

21 x 27 cm

Subject words:

Visual arts

Classification:

532 - Visual arts

Acquisition: Gift 1891 from the Association to the National Gallery's extension

Inventory no.: NG.M.00386

Registration level: Single object

Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections

In the painting, the artist has made the motif more dramatic than in the paper drawing. The mountain sides are steeper and are highlighted using light and shadow, while the clouds envelop some of the peaks in the background. The contrast to eternal ice and snow in the desolate valley stretch is enhanced by the lush foreground vegetation where the sheep graze under the supervision of the shepherd. The artist emphasizes the wild and inaccessible in nature by letting a bird of prey soar over the glacier. He allows himself a little joke by painting a fern tassel (English: Fearn) next to his signature.

It has been pointed out that the composition and the balanced direction of the landscape masses are reminiscent of the Düsseldorf painter Johann Wilhelm Schirmer (1807–1863), whom Fearnley met during his stay in Switzerland. The marked contrast between warm and cold colors was also perceived in romanticism as a symbol of the confrontation between life and death.

Before the painting was completed, it was exhibited at the Salon in Paris in 1836. Together with two paintings by JC Dahl, this and Fearnley's Labrofossen were the first paintings by Norwegian artists to be purchased by the National Gallery. Date: 1835

Other titles: View from Grindelwald in Switzerland (ENG)

Designation:

Painting

Material and technique: Oil on cardboard glued on cardboard

Technique:

Oil

Material:

Cardboard sheet

Paper

Goal:

21 x 27 cm

Subject words:

Visual arts

Classification:

532 - Visual arts

Acquisition: Gift 1891 from the Association to the National Gallery's extension

Inventory no.: NG.M.00386

Registration level: Single object

Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections

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Thomas Fearnley

Thomas Fearnley was a Norwegian visual artist and painter born in Halden in 1802 and died in Munich, Germany in 1842. Although he only lived for 39 years, he left a significant mark on the history of art. In his large paintings, such as "Labrofossen" and "Grindelwald glacier", he took us closer to nature as he experienced it.

Fearnley was born in Halden, but moved to Christiania (Oslo) as a five-year-old to live with his aunt and uncle. He became a student at Krigsskolen, which was one of the few places in Norway that offered drawing lessons. However, he interrupted his military training due to concentration difficulties. At the age of seventeen, he began taking evening classes at the newly founded Art School, while working in his uncle's shop during the day. At the Drawing School's first exhibition in 1820, two of Fearnley's pictures were exhibited. Norway's magnificent nature was "discovered", and the young Thomas Fearnley was in the middle of the sensation. After a few years of study at the Academy of Fine Arts in Copenhagen, Fearnley moved to Stockholm where he received important commissions from the royal household. In the summer of 1824, he went on his first study trip in Norway to Telemark. Fearnley had many colleagues, friends and supporters in an international art community.

During his short life he was constantly on the move. He has therefore been called "the European" in Norwegian art. Together with a couple of artist friends, he set out on foot from Munich and across the Alps to Italy in 1832. It was a cold and wet trip, and one of his traveling companions, the Danish painter Wilhelm Bendz, died of pneumonia shortly after arriving in Italy. Fearnley stayed in Italy for over two years, and in his drawings and oil studies we can see how he became a master of rendering light and shadow. On the return trip he found what was to become one of his main motifs: the Upper Grindelwald Glacier in the Bernese Alps in Switzerland. Thomas Fearnley is referred to as a person with good humor and a big heart. He died in January 1842 of typhoid fever, leaving a young widow and a son barely 9 months old.