Peter Nicolai Arbo
Åsgårds heron
Åsgårds heron
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Peter Nikolai Arbo's large painting, "Åsgårdsreien", has its origins in Norse mythology, archaeological excavations and the national romantic poetry of his time. First of all, it is Johan Sebastian Welhaven's poem of the same title that forms the basis, where the opening line reads: "Lydt gännem Luften i Natten farer et Tog paa skemmende blacke Heste" (from Nyere Digte, 1844).
Menacing hordes
Arbo was interested in history and painted several versions of the motif. In the watercolour, the entourage comes directly towards us, while in the painting we see it from the side. The hordes that threaten us above a dramatic sky are depicted in detail.
"In Stormgang the wild Hordes drag.
they have only Clouds for Foothold.
It goes over Dal, over Vang and Hei,
through Mulm and Veir; they end up not.
The wanderer throws himself in fear on the Way.
Listen which Gny - it's the Asgaardsreien!"
Johan Sebastian Welhaven, 1844
Norse gods
Above the desolate, moonlit landscape, the heavenly horsemen swarm forward, closely followed by Odin, the main god of Norse mythology. The god of war Thor thunders forth with raised hammer, he calls out to the goats Tanngnjost and Tanngrisne who pull the cart. After the entourage, it lights up as if on fire - could it be Helheim we glimpse?
"When the bell rings, then there is a noise
of Bells and jingling riding clothes,
then the Svaermen howls and the People listen
with rising Anxiety in the quivering Cabins."
Johan Sebastian Welhaven, 1844
Inspired by romance
The picture's doomsday atmosphere and dramatic composition have several features from romanticism: the contrast between life and death, light and shadow, proximity and distant elements.
You had to stay away
Both Welhaven's poems and Arbo's pictures depict the Åsgårds heron as a threatening and frightening companion, and according to folktales it was important to stay away when the Åsgårds heron passed over the firmament.
The word origin
It was in the 19th century that the national romantics began to use the word "Åsgårdsreien". The original word was "Oskoreia". Linguist and poet Ivar Aasen believed that the word "oskoreia" came from "ofsleg" and "reida", a frightening, riding entourage.
Date: 1872
Other titles: The wild Hunt of Odin (ENG)
Designation: Painting
Material and technique: Oil on canvas
Technique: Oil
Material: Canvas
Dimensions: 166 x 240.5 cm
Subject: Visual arts
Classification:532 - Visual arts
Motif: Folklore
Motif type: Mythological scene or figure
Religious scene or person
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Peter Nicolai Arbo
Peter Nicolai Arbo was a Norwegian visual artist and painter born on 18 June 1831, and died on 14 October 1892. He is best known for his historical and mythological motifs, and is considered one of Norway's foremost specialists on these subjects.
Arbo studied for nine years in Düsseldorf, and developed there to become a skilled painter. Arbo had a special interest in horses, and often included the horse in his big battle scenes. He painted a number of famous works during his career, including the first representation of the Valkyrie in 1860. He also painted from European history, and one of his most famous works is The Conquered Standart. An episode of the 30 Years' War from 1857. In 1863 Arbo moved to Paris, where he lived for eleven years. This was an important period for his artistic development, and he developed into a skilled specialist in impact painting. He painted, among other things, Ingeborg, Frithjof's Beloved and the Battle of Waterloo during this period. Arbo's main work, Åsgaardsreien, was painted in Paris in 1872 and purchased for the National Gallery in the same year. The motif is taken from an old folk tale, and the image is filled with drama and an imaginative composition.
Arbo also painted portraits and altarpieces in addition to historical and mythological subjects. He is an important representative of the later national romantic painting in Norway, and enjoyed a great reputation in his time.