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Sofie Werenskiold

Thoughtful

Thoughtful

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High-quality reproductions with authentic colors and details from DAIDDA's exclusive collaboration with the National Museum. Posters are printed on 230g Litho White Matt photo paper with white border and logo. Artprints are printed on 260g Museum Natural Rag 100% cotton paper without white border and logo. Produced to order in our own print lab.

About the original:

Date: 1881

Other titles: Thoughtful (ENG)

Designation: Painting

Material and technique: Oil on canvas

Technique: Oil

Material: Wood

Dimensions: 28.8 x 21.8 cm

Subject: Visual arts

Classification: 532 - Visual arts

Acquisition: Purchased 2019

Inventory no.: NMK.2019.0549

Registration level: Single object

Owner and collection: The National Museum of Art, Architecture and Design, Visual Art Collections

Photo: Børre Høstland

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Shipping: We deliver to Scandinavia, the EU, the USA and several other countries. Please contact us if your country is not listed and we will try to arrange delivery.

Delivery time: 2-5 days within Norway, 7 days in Europe, 14 days globally.

Packaging: Our products are made to order and sent rolled in environmentally friendly packaging.

Customs Fees: International orders may be subject to customs fees, which are not included in shipping costs.

Return policy: You can return images within 14 days. See our returns page for more information.

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Sophie Werenskiold

Sophie Werenskiold was a Norwegian textile artist and painter. She developed her art during the few years she was active, from a late romantic style of figure depictions to a realistic and fresh but intimate rendering of figures and landscapes.

The early portraits, including the sensitive portrait of his sister Inga from 1879, are kept in the Old Master style of the Munich school. In German Peasant Girl, painted in Munich in 1882, she shows lighter tones and impulses from plein air painting, and plein air painting comes into full bloom in Reading Lady on Garden Bench, painted in Kragerø in 1883.

After marriage and childcare, W. had to stop painting, and the last thing we know of her hand is a double portrait painted together with Erik W. in 1885, where the spouses have painted each other. Later, her artistic activity was limited to embroidery and appliqué after her spouse's watercolors. The textiles show a decorative sense and are clearly characterized by the art nouveau style.